The old man and the tarn…

For Paul Besley… — inspired by him, his writing, and a recent visit to Eel Tarn.

As the Sun also rises, so the Moon rests. Its waning glow, low in the mauve sky as it drew the Man here, has departed. But he still feeds off its allure as his pulse climbs, and he pauses, breathing hard, summoning support, as well as the air he so craves. He moves on to meet the dawn, pushing his body well beyond the valley-bound limits it frequently fights to meet. This race was too urgent to refuse, and all obstacles must be overcome, or sidelined.

Few creatures stir so early, the young calves so puzzled by his appearance that they cannot label him good nor bad, so regard him as both. Finally, they return to their cud-chewing amongst the muddy grass. Even after such a long absence of rain, some becks still happily feed the ground. The Man tracks this one eagerly; then turns from it to face down the radiant horizon.

Let slip the dog afar…

I posted the following on Instagram late last night:

Any human being that can write such a sentence as that below – especially in the context it bookends… – is a saint: of emotion; of love; of wordsmithery; of so many things that are so vitally important to me. And yet it is just one of thousands that move in the same way: a quality of writing so rarely encountered; a quality of life, a quality of love… ditto.

“I walked for hours in the forest that night though I don’t remember the trees.”

Thank you @paulbesleywrite for the read of the year; maybe even the decade. Still got some way to go (after over a hundred pages, tonight); but feel that I am on the journey with you.

It was yet another sentence in his book, The Search, yet another situation, yet another way of defusing a tightly-packed grenade of emotion carefully, thoughtfully, differently, vividly, and never over-statedly, never explosively. Even the sharpest, toughest, most brutal events are gently smuggled into your brain, and only then do they suddenly evolve from pocket-sized Rembrandt etchings seen in near darkness to the most audacious, brightly-lit, multi-hued Jackson Pollock and Van Gogh canvases.