Showing posts with label self-pity. Show all posts
Showing posts with label self-pity. Show all posts

Wednesday, 5 October 2016

When; and the art of existential transience…



For a relatively short time, I sobbed my heart out. But then, being the undoubtedly strange creature that I am – and, yet residing on its periphery, probably reasonably representative of my species… – I do seem to devote rather a lot of effort – as well as lend a disproportionate amount of significance to – mayfly moments such as this. It is as if – recognizing (whilst simultaneously attempting to avoid discussion of) our brittle mortality – we treasure the ephemeral above all else; venerate the transitory beyond rational measure. We see, reflected in such twinklings, I suppose, the entropy that must always prevail (until the only thing remaining is entropy itself); and therefore lend them as much love as we can, until they crumble to the sand by which, when captured in entwined glass globes, we would once (long ago) have measured their brief incidence; before mourning their finiteness. As I did.

All we can do, really, faced with such, is remember. Or, at the very least try to – however imperfectly filtered through our emotions and subjectivity. Surely, otherwise, these junctures lose the import that produced them; and – for a paltry while – that sustained them (and us). And, should our memories – the golden threads which fabricate the texture of our lives; the microscopic building blocks of the richness of our realities: ones we hand down, inadvertently, along with our atoms… – be fortunate, then perhaps they will survive, beyond our crumpled existence, as poor proxies. Thus, many lifetimes hence, those that follow (should they choose) can discern their value, gasp at their truths (again) – rather than simply, reflexively marvel at their endurance, the longevity of the poor surrogates themselves.


I cannot – even were I freakishly nominated as literary ambassador for all humankind – speak, speak to… others’ thoughts (unless similarly committed to posterity: stochastic samples of the privileged and able, perhaps; and, yet, I would hope, as contradictory and wide-ranging as those who selected me… but especially those who did not). All I know is that, pick any part of this blog, and – whether of a walk; a play; a concert; an encounter with the weather, or another soul… – the evidence before you would go a long way to demonstrating that my sole purpose here is in making inefficient attempts at tanning the hide of time, pickling the ineffable, pressing the fading petals of awe between my ever-mounting pages. No better than those proud, possessive Victorians displaying pinned moths by the caseload.

Yes, there are strong hints of their quick beauty; but, once slowed by my dull hand, am I in fact merely robbing the life, the mystery, the essential ‘beingness’ from that which I witnessed? Or should I continue to believe that – in pleasing (only) myself; and providing enough clues with my monochrome words to reconjure the original technicolour majesty, momentarily in (only) my head (should I dare to; care to…) – this is all I should be expected to be able to achieve?

Stumble upon the tens of thousands of still images, archived with a similar objective, and you might begin to suspect that, surreptitiously, I was either stashing them with the aim of posthumous fame; or, more likely, concerned that my raddled brain will increasingly require such prompts. (It would be nothing but vanity to imagine that they hold value to anyone but their creator… – words or pictures.)


And yet I persevere. And always will. Both in cherishing and recording. I feel I have no other option. If I only aim to do so to distract myself, though, then I fail. If all I achieve is to say “I was here”: then, again, there is no purpose. If, however, I write to proclaim my bewilderment at miracles frequently flashing by me – and that I managed to grasp a few of them, momentarily – then perhaps I am on to something. It may not be my “responsibility”, as such. But if I convey just to one other person just one fraction of that I experienced – so that the miracle is extended in time and space – then, maybe, maybe, I have a little justification.


For a short time, I sobbed my heart out. Not, this time, because of what I had seen or heard. But, for the third time in the same number of weeks, because the anticipation of such would lie unfulfilled. Yes, I can watch the DVD of the RSC’s production when it is eventually released; and I can also – as I did, over and over, on Monday evening – listen to the mesmerizing CD of the same performers playing one of the most intimately radiant pieces of music ever composed – instead of hearing it live. But, of course – some of it being down to that adoration of the temporal; most of it due to the ‘happeningness’ I seem to spend half my life waving a tattered butterfly net at… – it’s not the same. (It’s not that the digital domain is sterile – the passions are still utterly crystalline… – just that presence overloads every single one of your senses.)

All those months of drooling expectation; the prolonged crescendo of excitement; the knowledge that something so utterly exhilarating lurks over the horizon… – all dashed. Perhaps it is the anticipation – rather than the event – which renders it so special?

I am convinced that it is a combination of both. I am also convinced that not being able to realize the three-dimensional possibility so readily accrued distresses at least as much as the actualization would have comforted… – and carries with it all the poignancy (if not the force, the tragedy) of a life cut short. At this moment, it certainly feels as momentous – however inordinate I know that to be.


After all, it was just another point in time, a potentiality. And there have been many such that I have chosen simply to pass by. But I selected the ones that would eventually pass me by because they possessed something significant. They were fleeting, rare, coveted creatures that I will now never hold, even temporarily; therefore never stumblingly attempt to memorialize for others (and, in doing so, secure for myself). Scattered amongst the infinite possibilities of my life, they will haunt me: carving yet another notch into the wall of the cell that holds and punishes me (one that is, in my case, simply labelled ‘disability’) – one whose volume seems to decrease, almost imperceptibly (were it not for those sad markers), trapping me tighter with each vanquished wish…. (I could, though, treat them as ‘friendly’ ghosts: letting them help me rationalize, and gain proportion and balance. More straightforward to write than to execute, though…?)


So, I wonder – having tapped single-fingered at my iPhone for the best part of two hours – why do we cherish the transient so greedily? And then why do we – some of us – try to describe it; or at least cement its effects into our emotions? Surely the experience alone should be enough?

And, of course, for most, it is. And yet… we still purchase the CDs; replay the concerts on iPlayer; peruse the reviews; watch the DVDs until we know each line of dialogue, weep and laugh in the same places…. But then, I wonder – an epiphany prompted by an insomniac stroll… – if, “for most”, this is actually what suffices, even excites… – if only a minority of us genuinely crave the imperfections, the risks, the exponentially unwinding possibilities of failure – the spills – that are, of course, driven to insignificance by the thrills. Do the majority actually relish the reproducibility, the repetition, the safeness…?

 

During the hours of darkness – especially two hours after midnight – the village is mine. And, usually, only mine. But it is never the same. And that is as much an enticement as is the pretence of dominion. But, I suspect, many people would find the rich, velvety void of blackness quite scary – never mind lying back on a damp church bench for an hour, surrounded by graves and the rustle of tiny critters.

Very early Tuesday morning, I left home under a trillion pin-pricks of flickering, bright, distant suns: constellations spelled out with clarity and precision; and – beyond the blinding sodium – interspersed with clumps of dust: each speckle an individual. Given long enough, head resting on the arm of one of those benches, the Milky Way also emerges.

As I dragged myself away from the treacle-tenebrosity of Sandpits Road, I saw a canine hind leg skulk around the corner into Main Street. Too large for a fox; and no place for a fox, neither… – there is enough for them in the verdant nature and nurture that surrounds us. But my eyes were temporarily blinded. However, intrigued, I followed: expecting a distant ginger lolloping blur. But, it seems, my depression had momentarily become flesh: for there, a few footsteps away, was a timid black labrador (a shy old friend): dark as the shadows itself. Head hung low, it stood stock-still as I headed for the church; but was gone – home, I hope – when I later returned.

Yet with it came – or so it felt – a change. (And it was then that I remembered that such is our species’ bête noire – not the unpredictable delight I personally revel in.) And when I lowered myself into my customary seat (I can be a creature of habit sometimes…) I realized that my perfect sky had been replaced with an encroaching, enclosing mustard-coloured blur – as if the condensation which had earlier veiled the cars was now obscuring all of Tysoe.

Like the pain that had curtailed my day’s enjoyment, it seemed unlikely to disperse: and so I slouched home, again disappointed. There was nothing new to be discovered tonight; and even the owls had been quieted by this descending, dank wool.


Buddhists believe that “It is only by accepting the truth of impermanence that we can be free.” And the Japanese even have a word for that “impermanence” – wabi‑sabi – although this may be interpreted in many different ways: authenticity; simplicity; naturalness; intimacy; especially an acceptance of imperfection, whether that be of one’s life, an object, or the art we surround ourselves with [pdf]. (It’s probably why I love contemporary jazz so much; or struggle to remember the rare mistakes in a classical performance when there are so many moments of bliss.)

And, so, perhaps I should not really have sobbed my heart out? At the time – so swiftly passed, if not yet forgotten – it felt justified: a cathartic reaction to a spiritual cruelty piled atop never-waning physical ones (which it could, of course, have eased – temporarily). I have learned, over the years, though, to absorb those corporeal pains – they have become part of my material concept of self. Perhaps it is time to start learning, though… – accepting that sometimes the excitement I crave has a necessary bleaker dimension… – how to assimilate the incorporeal ones, too…? Not all unpredictability leads to happiness – although some of it may lead to release.

Let’s think the unthinkable, let’s do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all.


Wednesday, 29 June 2016

Terminat hora diem; terminat auctor opus.

The trouble with happiness is that the prospect of it ending makes you sad.

After my most recent viewing of Doctor Faustus, on 11 June 2016, I drafted the following few paragraphs. That they never made it on to my blog (until now) is probably because – with just one precious, fragile visit left – I could not, at the time, reach any conclusion or closure….


Seven heavenly wins…
I had actually lost count of how many times I’d seen this production until I checked my diary… – only then to discover that this, my seventh, was also my penultimate. Stand still, you ever-moving spheres of heaven, That time may cease and midnight never come!

After an absence of six weeks, desperately in need of my next fix of “the very definition of theatre [featuring] two actors at the very top of their joint game” – O, how this sight doth delight my soul! – how on earth (or in hell), I wondered, was I going to survive without it?

Think’st thou that I, that saw the face of God
And tasted the eternal joys of heaven,
Am not tormented with ten thousand hells
In being deprived of everlasting bliss?

It has spoken to me in a way that no other drama has ever quite managed. Therefore, again – Had not sweet pleasure conquered deep despair… – I am worried that “Only the darkness [will] remain… an unremitting nightmare way beyond hope: and which, to me, currently feels all too real.” I understand that I am not addicted to it… – not according to the true, scientific meaning of the word… – but I know that I will suffer from its withdrawal.

[That I bumped into Oliver Ryan, a few days later – and we talked like long-lost friends… – certainly eased my pain. But I shall miss him, Sandy, Nicholas Lumley, Jade Croot, and the rest of the gifted company, in a way I never thought possible…. That I will be away for the last night just compounds the grief. Theatre is so sodding ephemeral. (Even when captured for posterity on DVD, the experience can never be the same.) All that will remain are all those reviews – and my cherished, tightly-grasped memories. But not even those can provide the spark that relights the sheer magic of sitting on the front row, knowing myself to be in Wittenberg, tears streaming down my face in rapturous heartbreak.]

Mephistophilis But Faustus, in hell is all manner of delight.
Faustus O, might I see hell and return again safe, how happy were I then!


And machination ceases…
Similar thoughts emerged, yesterday, sat in a coffee shop in Malvern, grabbing an espresso and a bite to eat before revisiting Michael Pennington’s incomparable “inhabitation” of King Lear. Again, another uniformly stupendous company. Again, a production with direct access to my soul. But, after last night, all I can bring myself to write is that my “business of the world hath so an end”.

This is the last week of the run; and I have exhausted all my opportunities to see it again. (How I wish it were not so.) I cannot even make it to the company’s poetry reading – for Calais Action – on Thursday evening. (But please feel free to go on my behalf…!) Three times was never going to be enough….

All I can say, as I did at the very beginning of this report, was that this was a landmark portrayal; an actor at the very pinnacle of his (and everyone-else’s) very great game. That his genius encompassed all those around him; that his howls as he dragged Cordelia’s slumped body onto the stage haunted my dreams (and will for many a night); that his eyes twinkled, then dimmed, and twinkled once more, before finally fading to naught; that he made us not only see – but feel, taste – that mouse and toasted cheese, those parted curtains; that the roof of the Royal, for one moment, floated heavenwards as we called him back to the stage; that he was, for three hours, Lear – not an actor in increasingly-threadbare clothing – …all these things are sadly not enough to even begin to describe what we saw; experienced; heard; were immersed in….


However much my resultant sadness, it is, of course, tempered with great joy at having been fortunate enough to have witnessed such wonders. And my sorrow is nothing compared to Michael Pennington’s own grief at not being able to launch this tour at the RSC – his “lifelong stamping-ground” – because of apparent intransigence and jealousy. [As much as I love the building, and the many, many generous and inspiring folk that create daily miracles there, it seems that politics stalks even the Royal Shakespeare Theatre’s labyrinthine corridors. Like the referendum result, last Friday – to which there were a few knowing nods in last night’s (again) gripping performance (including the most stunning, heartfelt, sincere rendition of those final lines…) – it seems that even people with intelligence can be immensely shortsighted in the self-awareness department when their own egos require (as they wrongly see it) protecting.]

I knew in my bones that my Lear wouldn’t make it to Stratford, and I don’t suppose Shakespeare will spin in his grave in 2016. However, the door that I found closed on Lear has finished my business with a company with whom I’ve been intimately associated under every previous regime since Peter Hall founded it in 1961.
– Michael Pennington: King Lear in Brooklyn

More gratitude, then – that I witnessed one of the very greatest Shakespearean actors of my lifetime strut the boards of the RST and the Swan (and, many moons ago, probably also in The Other Place – I fear I am not in my perfect mind…) – but heavily tainted with wrath, this time: that I will never see him in my adopted home town again.

Upon such sacrifices, my Cordelia,
The gods themselves throw incense. Have I caught thee?
He that parts us shall bring a brand from heaven,
And fire us hence like foxes. Wipe thine eyes;
The good-years shall devour them, flesh and fell,
Ere they shall make us weep! We’ll see ’em starved first.
Come.

Sunday, 24 January 2016

But pay me terms of honour, cold and sickly…


Ecce homo (influenza)

It’s not just the sniffles, or trips to the loo;
It’s not the aching of joints that you get with the flu;
But the Richter-scale cough that always continues
With Beaufort-scale sneezes to rattle my sinews.
They’re a pain in the neck, the head and the chest –
To be utterly honest, I’m not feeling my best.