I’m definitely amazed…!

I picked up the book in the image — a book I had been anticipating for weeks — and was crying by page 2: recognizing elements of both myself and my son in the first wonderful description of John’s autistic offspring James (the principal character); then, a few pages later, in John himself — although, as I wrote to my son, “the tables are turned with us, I think: me, the autistic father; you, the mega-talented [one]”. Autism can be, and frequently is, a family trait: inherited — at least partially, in my case, I am pretty sure — from my amazing dad. How much of it I have passed on myself I am not at all sure. Plus… it really doesn’t matter. What I do know is that my son truly is multi-gifted, musically (and technically): probably with the encouragement of a whole bucketful of helpful genes from my erstwhile concert-pianist mum, and a few random droplets from me.

And so is James: incredibly talented! (And, like my son, plays the bass southpaw, despite being right-handed.) Many people who are autistic have a ‘superpower’ (or defiantly and knowingly claim that autism itself is their superpower): and his includes in-depth knowledge of huge swathes of rock/pop music; the ability to perform that music to a very high standard indeed, singing, or playing different instruments; as well as absolute, or perfect, pitch.

James, though, struggles to communicate: he “has experiences that he cannot express in words”.

Would in thy palm dissolve…

Conditionality
Provoked by yet another hospital visit — this one more promising than most… — and therefore composed over a watchful, thoughtful night.

…but be sure
I will from henceforth rather be myself,
Mighty and to be fear’d, than my condition,
Which hath been smooth as oil, soft as young down…
— Shakespeare: Henry IV, Part I

Why are our bodies soft, and weak, and smooth,
Unapt to toil and trouble in the world,
But that our soft conditions, and our hearts,
Should well agree with our external parts?
— Shakespeare: The Taming of the Shrew

smooth is a soft word; soft is not — it speaks
of a lover’s leaving: the latch that drops,
catches and calls; a lapse of the caution
that pulled the stillness of the prior world closed

closed is not ever close — bodies touching
may hold unknowable souls, or stories
consciously untold; can cling to silence
fashioned from flints of fear, pointed with pain

pain is anything and everything we
wish it were not — the short sharpness of a
cat’s playful claw; the ceaseless cremation —
deep within its eye — of stars undying

undying is not living, nor is it
the phoenix’ echoed resurrection — mere
hope-filled fancy for a latch that never
lifts nor falls; for a blade pared soft and smooth

The answer, my friend, is blowin’ in the wind…

The ballad of Woodhouse Colliery

the siren blasts pre-dawn today
wakes the locals at five-thirty
it is time it screams for the chosen few
to get down deep and come up dirty

what we do is what our grandas did
it made some sense back then
when our father was nobbut a gangly kid
but (umm) have you seen the papers

our houses cost nearly nothing we’re told
too small too cramped so old and cold
yet there are some who fail to afford them
so they go and do what their grandas did
when their father was nobbut a kid

but not to power a nation this time
this time they’re making nowt
unless you consider the world’s biggest hole
the country’s nuclear dustbin
an achievement of sorts
rather than an act of futility
a great big hole of nothingness
devoid of all utility

they are scouring the planet’s intestines
not producing the value of old
as they know it’s only shit they shovel
not exhuming a dark form of gold

what we do is what our grandas did
it made some sense back then
when our father was nobbut a gangly kid
but (umm) have you seen the papers

dig it big enough they say
and all Sellafield will fit
but what will they do with the great big hole
where that festering factory used to sit

they’ll build a mountain of excrement
unneeded to the sky
and add another Wainwright
where the fulmars used to fly

In our arts we find our bliss…

I have a cat

I have a cat who comes to me

but not into my arms

she comes instead for blessings

and to bring me magic charms

by way of spoken greetings

and of softly-called farewells

by means of gentle emphasis

her love for me compels

requitement immaterial

plus all her wonted wares

the milk and meat and kibble

the warm and cushioned chairs

the window seats and hammocks

plus all I can conceive

the toys that deck the carpet

and the doors that help her leave

to go beyond my knowledge

into worlds she cannot share

I have a cat that comes to me

who lives her days elsewhere

yet dreams upon the sheepskin rug

below my restless head

and often will call down for me

if I am late for bed

I have a cat who comes to me

whose courage is so strong

yet sometimes longs for company

when everything goes wrong

I have a cat who comes to me

it doesn’t matter

when

or where

how frequently

or even for how long

I have a cat who comes to me

and there I end my song

Postscritch: The railway kitten…

When writing about my first (that wasn’t my parents’) cat, Jay, I forgot — goodness knows how: as my jaw still bounces off my slippers thinking about it! — his most astonishing exploit.

Home at the time of his adoption was just around a mile’s walk from Darwen station, which had regular and frequent direct trains to Manchester: a place I used to visit a great deal, mainly for the culture — especially the Hallé orchestra at the Free Trade Hall — although shopping at the Arndale Centre (in the days before the devastating 1996 IRA bomb) and for pre-loved clothes (the city has a wonderful student-based and therefore youth-friendly economic sector); exploring the architectural Wow! that is the Central Library; playing backgammon in hidden pubs off Deansgate of an evening; snaffling cask ales and late-night vegetarian takeaways — particularly after experiencing The Smiths launch Meat is Murder… — were all great motivations for being there: and it is for these (and many other wonderful contributing enticements) that Manchester became the first city (of — and still to this day — a very select handful) that I fell in love with (and eventually worked in).